Many of you… want to understand the link between viking tradition and Gravlaks or cured salmon,. here is a way for you to catch up!
According to resear made around gravad laks origins, it appears from the X ème century in Scandinavia. Vikings, as we know, invaded and robbed many sites and villages on the Atlantic sea ( English Channel, Brittany, and England) and their ttrading activities were rich, helped a lot by their skills in ship Construction which made tehm travel much faster on water than anyone else.. it is then possible that burried or cured salmon found its roots some other place and turns much older in time.
Un Viking (Old English: wicing—”pirate”, Danish and Bokmål: vikinger; Swedish and Nynorsk: vikingar; Icelandic: víkingar, from Old Norse víkingar), were Norse seafarers, mainly speaking the Old Norse language, who raided and traded from their Northern European homelands across wide areas of northern, central and eastern Europe, during the late 8th to late 11th centuries. The term is also commonly extended in modern English and other vernaculars to the inhabitants of Viking home communities during what has become known as the Viking Age. This period of Nordic military, mercantile and demographic expansion constitutes an important element in the early medieval history of Scandinavia, Estonia, the British Isles, France, Kievan Rus’ and Sicily.
Facilitated by advanced seafaring skills, and characterised by the longship, Viking activities at times also extended into the Mediterranean littoral, North Africa, the Middle East and Central Asia. Following extended phases of (primarily sea- or river-borne) exploration, expansion and settlement, Viking (Norse) communities and polities were established in diverse areas of north-western Europe, European Russia, the North Atlantic islands and as far as the north-eastern coast of North America. This period of expansion witnessed the wider dissemination of Norse culture, while simultaneously introducing strong foreign cultural influences into Scandinavia itself, with profound developmental implications in both directions.
Popular, modern conceptions of the Vikings—the term frequently applied casually to their modern descendants and the inhabitants of modern Scandinavia—often strongly differ from the complex picture that emerges from archaeology and historical sources. A romanticised picture of Vikings as noble savages began to emerge in the 18th century; this developed and became widely propagated during the 19th-century Viking revival. Perceived views of the Vikings as alternatively violent, piratical heathens or as intrepid adventurers owe much to conflicting varieties of the modern Viking myth that had taken shape by the early 20th century. Current popular representations of the Vikings are typically based on cultural clichés and stereotypes, complicating modern appreciation of the Viking legacy.
In Norse mythology, Valhalla (from Old Norse Valhöll “hall of the slain”) is a majestic, enormous hall located in Asgard, ruled over by the god Odin. Chosen by Odin, half of those who die in combat travel to Valhalla upon death, led by valkyries, while the other half go to the goddess Freyja‘s field Fólkvangr. In Valhalla, the dead join the masses of those who have died in combat known as Einherjar and various legendary Germanic heroes and kings, as they prepare to aid Odin during the events of Ragnarök. Before the hall stands the golden tree Glasir, and the hall’s ceiling is thatched with golden shields. Various creatures live around Valhalla, such as the stag Eikþyrnir and the goat Heiðrún, both described as standing atop Valhalla and consuming the foliage of the tree Læraðr.
Valhalla is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, Heimskringla, also written in the 13th century by Snorri Sturluson, and in stanzas of an anonymous 10th century poem commemorating the death of Eric Bloodaxe known as Eiríksmál as compiled in Fagrskinna. Valhalla has inspired various works of art, publication titles, popular culture references, and has become a term synonymous with a martial (or otherwise) hall of the chosen dead.